What was impossible for me to see when I was just beginning is that all of this activity and writing and thinking adds up over time. I couldn't really comprehend that it would take me thousands of submissions, of dozens and dozens of different plays, to start to build a career that has any sort of momentum. Though even now, I view any momentum with great suspicion, knowing that the doldrums, a full blown dry spell, might be right around the corner.
It also didn’t occur to me that my resume would eventually fill up the page, and as the years moved forward, I would have to leave stuff off. Productions that I loved, with great pride, would slowly drift off the list of my most recent work. Because I wasn’t in academia, I wasn’t initially in the habit of keeping a running list, a vita, of everything I had done. And why would I? It’s all so fresh.
Except that it turns out that it’s hard to remember every production and every cast member, or exact opening date over 20 years, 30 years. (My first play, The Elevator, was produced 30 years ago, in 1987, by the Pendragon Theatre, in Saranac Lake, New York. But I'd have to dig deep to find the date.)
So a bit of unsolicited advice. Keep a running file on your computer, a vita, if you will, of every project you do, every award, every reading. You will rarely be asked for it, unless you’re applying for academic positions. But when your list of productions moves from a handful to hundreds, its going to be hard to remember the specifics. Though I’ve kept an extensive Microsoft Access database of where I’ve submitted my work over the past many years, with all kinds of fun reports and stats available, I have realized that I need to expand that database now, to keep track of specific details, all in one place, of all the productions and readings I’ve had. So I’m going to need to dig through the emails and my big file cabinets, and start a new section.
I actually have a massive Excel spreadsheet that keeps track of numbers of productions and money and attendance each yet, but it doesn't track names, or casts, or opening dates. And the whole thing is unwieldy.
Things you might want to track on your spreadsheet or database:
- Name of play
- Theatre Company Name
- Venue (not always the same)
- Dates: opening and closing.
- Number of performances.
- How much you got paid.
- Director name and contact info.
- Producer name.
- Stage Manager.
- Website/links to photos and reviews.
It’s going to take a lot of digging. Which will be fun, but also a lot of work. I’m grateful for each and every one of those productions, and for all the friends I’ve made along the way, and the audiences, and the inspirational collaborators. Now I just need to gather all those names and dates into one place.
You could do this in an Excel Spreadsheet. I like the Access Database, because I can hook up my productions with submissions info, and generate interesting reports and data. Because I'm a number geek.
Which you might already do. But just in case you don’t, it’s never too early to start.